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Graffiti videos, graffiti movies. Graffitifilms.tv is all about graffiti and street art. The site was started by brant smith, one of the filmmakers behind the underground graffiti hit quality of life. 2020 FILMS » 2020 SHORT NARRATIVE FILMS ». Lars was nominated for a Daytime Emmy for his work on “ While You Were Out'. His short documentaries have earned award at many international festivals. Lars teaches film as an Adjunct Professor at the City College of New York and elsewhere. Filmmaker's note The inspiration for Zugzwang.

Alireza, Firstly, allows me to express my congratulations to you for the huge success of your film ‘ZUGZWANG, What actually did compel you to select the subject of ZUGZWANG?

ALIZERA –When an economic crisis occurs in a country, everyone in the society is involved with it, and these economic problems cause a family crisis and the destruction of the family. This issue leads to a high divorce rate in the society. During the divorce, the law also intervenes, and it is the law that determines how much the share of men and women in their life together is, and it is natural that when economic issues are raised, both spouses (whether woman or man) try to end the matter in their favor.

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Calculus ab & bcmath problem solving solver. This is also happening in Iranian society. This happened to a friend of mine, and this is what made me take the opportunity to portray this issue.

Nowadays, in Iran and some countries such as Afghanistan, Pakistan, some Arab countries or countries where Islamic law is applied, before marriage, some money is considered as an agreement that in case of divorce, the man pays the money to the woman to compensate for the damages caused by the cohabitation. Of course, it should be noted that according to the law, the woman could demand this money from the man whenever she wants during the marital life.

How the filming experience was and being a writer & director what are the challenges you faced making ‘ZUGZWANG’?

ALIZERA – During the film, I did not face a very difficult challenge due to the presence of professional and experienced persons, as well as consulting with them. I have a long pre-production period, and this causes to shorten the filming duration of my works. Other actors and I come to a common point and view during the pre-production period by regularly reviewing the script and consulting with each other, and this makes it less challenging during filming.

Upon writing the script, I had in mind the climax of the story of the sequence in which the woman intended to leave the man forever, but when I consulted with the actors and other agents during the filming, I achieve to the conclusion that the climax should be at the end of the film. This is the common point that I mentioned before. Perhaps the most important challenge for me in screenwriting was this matter.

Do you think Indie filmmakers should directly go for digital streaming (VOD) rather trying to get their films released in theatrically? Or they should try for it?

ALIZERA – An independent filmmaker likes his film to be seen. I remember some years ago when I was making a film, I copied it to a DVD myself, and gave it to others to see my film.

When we make our films in the form of a cinema, when the scenes we take are based on the silver screen of the cinema, it is naturally more enjoyable to show it in the cinema. Although in the current situation where the audience is the most important factor, there is no choice but to show the film online.

We should not forget this point that our national laws in Iran are different from other parts of the world, and the fact that not much income can be earned from making short films. If the online show of short films is not supported and promoted, the filmmaker will no longer have a platform to show his short films.

How effective are the laurels of Indie Film Fests for commercial success of a film? How close is the story in the movie to your real-life experience?

ALIZERA – There are film festivals that take a professional look at films and, apart from commercial goals, create a new path for the filmmaker that encourages the filmmaker. This helps the filmmaker to understand what topics to seek for making films.

In case of business debate, being selected for a film festival could also help attracting audiences.

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As for the second part of the question, I have to say that the issue of divorce and the financial affairs of this issue for men happened to one of my friends, and this made me think about this subject and portray it.

Can you explain the character of Linda Kiani & Behzad Khakaj bit more as they played very potential segment to your wonderful project.

ALIZERA –My purpose was to shock the audience at the end of the story, realizing that all these stories were just a plot to get the man out of the financial burden of divorce. Therefore, I had to match the Behzad Khalaj character with the character of Linda Kiani to enter the story and show this map real. Behzad had a difficult playing. Because Behzad’s character knew about the map and he had to play a role so that it would not be revealed, and Behzad was able to overcome this duality well.

As for Linda Kiani, I must say that the woman is the mountain of emotion and Linda was very emotional. She played her own character and portrayed all the feelings of being a woman herself, and of course sometimes went beyond her own reality.

What do you think, Indie film should be made for Festivals only or it should be made for audience?

ALIZERA –Every filmmaker wants his film to be seen by the audience. Of course, we should not forget that every filmmaker is interested in having his film seen and criticized at the festival, and this is a great chance. However, the real drama is that the audience’s opinion about the film differs from the film festival output. Consider a film that is seen at a festival and wins an award but fails at the box office. Isn’t this a beautiful contrast?

In general, being selected in a film festival is an advertisement for the film, because the audience is curious to see the film. Of course, the lucky is a film that can attract both festivals and audiences.

Is there any specific reason to pick up the issues like commitment & marriage portion? What would happen if Alireza Mohammadi didn’t come to the film industry?

ALIZERA –Today, not only in Iran but in the most countries, the issue of economy is a top priority, and other issues such as the family are slowly fading. Nevertheless, in Iran, there are more economic problems and therefore, the divorce rate is higher. Definitely, not all causes of divorce are economic problems, but it is the most important reason. Since the filmmaker is the mirror of all the incidents of society, it is natural that he/she reflects everything that happens in the society, for this reason, I also feel it as my duty to reflect this event.

In my film, there is a special look at women. The women are so emotional, and in this film, the feelings of Linda Kiani’s character are abused.

Regarding the second part of the question, I should say that I do not know any other profession other than filmmaking. I entered into this profession when I was a teenager and I had no other way but to enter into this profession.

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Now we have come to the ending of our conversation. I would like to end by asking you on last question. What are your plans ahead?

ALIZERA –I’m waiting for feedback from audiences as well as festivals about my film. Moreover, currently I am thinking about some interesting social topics to write them after processing. These issues, like all my films, are my concerns.

Furthermore, I’m going to make a short film called “85 Million and Two”. 85 million, which is the population of Iran, and in this film, people who are less seen in the Iranian society and are not among the statistics of Iran are to be addressed.

Greetings and salutations movie fans! Last night I went to The Little to watch one of my most anticipated films of the year: “Boyhood”. Please everyone before I get started check this out in theaters. Support Linklater’s films; give this man more money so he can continue to create cinematic instant-classics.

I’ve seen damn near everything that Richard Linklater has made. When I first started writing, I believed that I had stumbled upon a “Linklater Universe” that Boyhood fit into. Unfortunately for me, and conspiracy theorists everywhere, it just doesn’t work. Unless you are willing to invent elaborate story lines not mentioned in either film. The characters in the film are super cagey about what Ethan Hawke has been doing the year and half that he is out of Texas. Perhaps I thought, he was in Europe meeting Julie Delpy! It all fits until I started looking back through the script. I had remembered one scene from Before Sunset that immediately caught my attention:

Jesse: Do you have kids?

Celine: Yes, two –

[gasps]

Celine: Shit!

Jesse: What?

Celine: I left them in the car! With the windows rolled up! It was six months ago! Think they’re okay?

[laughs]

You tend to see things the way you want to see them when you believe you are having some great epiphany. There are a great many similarities between Ethan Hawke’s character in Boyhood and Before Sunset. He plays guitar, he’s foolhardy, hopelessly romantic, AND he’s in a loveless marriage. Unfortunately, what I failed to remember was that it was Celine who is joking about her kids; not Jesse. Before that little joke, Celine asks Jesse about his kids. He tells her about his son “Hank”, without mentioning having a daughter. The true conspiracy theorist in my mind went through and said, “Okay well maybe he used a pseudonym from a book that he saw on the flight over. Perhaps he’s been lying to Celine the whole time. Maybe he invented this fake life for himself to escape his own miserable reality back in the US.” The problem with this whole scenario is that it’s just too implausible. He’d have to lie about too much; eventually we’d catch him, or she’d catch him or both. Alas, my Linklater universe theory has holes that even Lexington Steel couldn’t fill.

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Boyhood lived up to every expectation I had. It was a raw unfiltered view of Texas life as we follow the family and observe their struggles. Ethan Hawke was magnificent and was able to capture all the magic (and more) that he had in Before Sunset 20 years ago. The young boy played by Ellar Coltrane was remarkably normal. We follow him going to school, being bullied, kissing girls, drinking and finally going off to college.

Zugzwang 1 Graffiti Movies & Documentaries 2017

Recently, I re-watched one of my favorite films, “Dead Poets Society”. Mr. Keating, played by Robin Williams encourages his students to “seize the day:”

The notion at the end of Boyhood was touching. A young girl, after a drug-fueled hike through the dessert, opines that, “Perhaps it should be the other way around.” Perhaps instead of seizing the moment, we should let the moment seize us. The greatest gift that Linklater gives us with this film is that he stops and takes a minute to look around. He impresses upon the audience the importance of just “looking around every once in a while:”

Linklater was able to draw on his vast body of work that made anyone familiar with his other films quite comfortable. Long gone are the days of vignettes; comprised of wild caricatures with zany existential ideas espousing Nietzsche on the streets of Austin:

Instead, Linklater demonstrates in the film that people can just be. He can create magic from those otherwise innocuous moments. This return to simplicity was refreshing. It was also nice to see him return to Austin with its copious amounts of weirdo’s (yes, you are all a bunch of goddamn weirdo’s; but that’s OKAY!).

Another feature of the film that I enjoyed was that it acted like a bit of a time capsule. I grew nostalgic at the sight of the iMac computer that Mason used because we had those in my schools growing up. I had fond memories of flip phones, and the first Halo game. Linklater’s use of technology as a springboard for Mason to establish some of his own philosophy was brilliant. Instead of using the one-dimensional diatribe we’ve seen in the past from Linklater; we witness dialogue. Mason and his girlfriend confabulate about what it means to be “off the grid”. The repartee between the two of them as they mock each other about their technology use was apropos.

I think what made this movie so incredible for me was Linklater’s ability to mold moments into lessons. We’re there for the cringe-worthy contraception talk in a bowling alley. We witness Mason break up with his high school girlfriend. We even witness the embarrassment that occurs when you’re staying with a friend and their roommate walks in. It’s just a series of moments, and milestones; beautiful moments, and pained milestones.

I wish that this movie had come out as I was about to start my journey to college. I could have garnered valuable information and life lessons from the characters in this film. At one point early in the film, Mason Jr. is complaining that they aren’t using bumpers when they are bowling. Mason Sr. replies that, “Life doesn’t give you bumpers!” Its little moments like these that the audience can “Suck the marrow out of life without choking on the bone”.

Like every movie, though this one did have a few flaws; some of the character development was spotty at times. At the end of the film at Mason’s high school graduation there was some person who kept making obnoxious comments. Someone in the theater vocalized what everyone was thinking, “Who the hell is this guy?” It turned out to be the brother of Mason Sr. I don’t believe his character was necessary. An introduction at the beginning of the party, or maybe if that kid with Mason had said, “Who’s that guy?” would have gone a long way. Additionally the woman playing the grandma was inconsistent throughout the film.

From what I’ve read, Linklater wanted to capture a small sliver of American life with this film. He does that magnificently, it’s as though he’s taken a slice of the great American pie, cut a small piece, and served it to the rest of us. Boyhood is a monumental achievement that I will be revisiting for years to come. Movies like this are a once in a decade event; missing this while it’s in theaters would be a sin of which I could not forgive myself.

As always here are some reviews that I enjoyed: